Monday, 6 July 2009
Rural Poland-- Garden of Eden or Heart of Darkness?
The recent popularity of films and TV programmes with rural settings has raised the question of how the countryside is perceived in modern Poland, and what this tells us about the country and its people. Is the countryside a rural idyll? Or a bastion of backwardness and superstition? Here is Robert Walenciak, writing in 'Przegląd' magazine......
Who to believe? Rural Poland is seen from 2 different perspectives. From one point of view it is an oppressive place which crushes individuality and is run by closed networks of family contacts and friends of friends. The people are suspicious of the outside world and at the same time they take too much interest in the lives of others, because their own lives are so unfulfilling.
From the other point of view, the countryside is a serene, welcoming place. This is the image that we can see right now, in films and TV programmes which are breaking box office and viewing records.
Rural mafias? Nonsense. It is simply social cohesion. People look after their own. All for one and one for all-- that's a good thing, right? Suspicion of the outside world? Does the outside world really deserve to be trusted? A slow, lazy pace of life? Isn't that what we all dream of?
This is the side of rural life that the Polish public want to see, and film and TV producers are happy to oblige. "U Pana Boga za Miedza" is the latest production in this current trend-- a crime comedy set in a small village in Podlasie. People go to watch it and they leave the cinema happy. The 2 prequels which preceded it were received with equal enthusiasm. Then there is "Ranczo", "Plebania", "Ojciec Mateusz"..... We are currently seeing a steady stream of films and TV series about the countryside, that good peaceful countryside. It is worth asking what lies behind this trend.....
Why sentiment? Because millions of us grew up in similar small towns and tiny villages and now we want to indulge in nostalgia about the good old days? Do we miss our happy, care-free childhoods?
Why the popularity of skansens (open air folklore museums)? Because they are oasises of peace and quiet, a shelter from the large cities and their relentlessly buzzing lifestyles? Because in a skansen people don't kill for money?
These are all good arguments but they do not explain everything.
Could it be then, that it is the great characters which make these films so popular? The village policeman, the provincial mayor, the parish councillor? Surely not, these stock characters have been with us since the 17th century!
Or perhaps we love these films because they show us ourselves, but in a more positive light. Of course, we all have our faults but in the big scheme of things these are minor defects which make us more colourful, more loveable. Gluttony? Go to a Polish beach in summer and try counting how many slimmers you can see. Ignorance and superstition? Perhaps it's better to be a peasant than a stuck-up know-it-all.
If films depict dreams then you could draw the conclusion that in today's Poland, there are not too many big dreams. Things are fine as they are. In the Polish countryside teenage boys do not play forbidden music in garages, wannabe directors do not make amateur films, the good people are among us and if anyone is bad they are probably an outsider. Also, thanks to the internet, mobile phones and satellite TV, our perception of the countryside has changed. A person can live there, enjoy its peace and quiet without feeling isolated from the world.
Poles, battered by the storms of history, are certainly in need of a period of peace and rest. Time to get to know themselves, to focus on the simple things. It seems that most agree that now is the time.
Robert Walenciak is a Polish journalist and assistant editor of 'Przegląd' magazine.
Translated by Czarny Kot 06/07/09 Source: 'Przegląd' magazine.